Monday, December 1, 2014

The River



I flow, Into the ocean, I become one with it

I vaporize, I become cloud, Crash into the face

Of jagged mountain, Sentinel of the world

I flow once again, Once again, I become river

Meandering through forest lands and plains

Ever inconstant, Ever constant

Ever evaporating, Ever replenishing

Ever changing, Ever the same

Ever dying, Ever eternal

Ever flowing, Ever being still

On my face, I mirror, Your face, And those of whom you love

Those who have departed, Those who sojourn, Those who are yet to arrive

Beneath my surface, Beyond the sound, Of my mighty roar

If you put your ear to my heart, And listen with care, You will hear

The sacred sound – AUM –

The first flowing out, The second flowing in

The third flowing into silence – AUM -

And then there is, A hidden fourth, Beyond that silence

Another silence, An all encircling silence

The womb, Within which, Is held

The roar, Of The Cosmic Ocean

Thursday, November 6, 2014

Weekend Wine & Jazz, And a pictorial tale of the eternal traingle








Have come down to Pune for the weekend, the birds are chirping, squaking, the

cats are lounging about or the males vying for the attention of the current

female around. The fights in these encounters can get pretty loud and bloody.

Big Frey, being the oldest is getting a rough time these days. The younger,

stronger tawny tom has practically chewed up Big Grey's ears. I love this moment

I've managed to capture in this pic - the eternal traingle theme of Bollywood

blockbusters - where the two males are yowling and glaring at each other

threateningly, while the female seemingly is feigning a 'bored with you kiddish

guys' look (actually, if you can read cats' eyes/faces, she is scared) - Cats

can be so human sometimes.

My weekends are pretty fun and busy these days - trekking, musical shows, art

shows and so on. This weekend I'm gonna join a bunch of wine experts and lovers

for wine tasting - spanish wine it is - at a fine dine. And a day of jazz music.

Both of which I'm looking forward to. Meanwhile, a friend of mine has gifted me

a bottle of Bordeaux which I'm saving for some special occasion, though it's

really hard to resist.

Meanwhile, finished the third






One of the problems I have with my painting - the motivation part of it - is

that I soon get bored with a piece I may be painting once I solve the puzzle or

challenge. After it stops being a challenge, after the puzzle is resolved in my

mind, it just becomes a 'going through the motions' kind of exercise. If I do

manage to actually finish a piece, like this one, it's due to sheer perseverance

- and I hate 'perseverance' when I'm painting, it has to be exciting all

through.

Anyway, despite my hating it, on to perseverance with my purple flowers and my

sunflowers.

Friday, October 31, 2014

Working on two pieces

Well, I'm working on two paintings..struggling a bit with both, though happier with the effects I'm managing to get with the sunflowers. Acrylics is both fun and liberating, as well as damned frustrating.. as I keep saying, it just dries up too fast, and the lower layers seem to absorb the pigments I put on subsequent layers, dulling and darkening them. But the big plus point is, it's so forgiving.. so I shall persist. I love that I don't have to deal with the fumes of turpentine, and that I don't have to worry about things getting muddied as I work almost immediately on layers.

The beginning stages of paintings are always scary..one really doesn't know how it will end up.. a disaster or a success..



Tuesday, October 14, 2014

Ahhh, Pune..!

Ahhh, Pune..! I don't quite know what it is about this place, but I just feel I belong. There is deep peace.. I really don't know how to describe it.. My soul is smiling quietly.. is the best way I can put it :)

I and two crows and various tiny birds that flitted into the little trays of water I keep for them in the garden (they love wiggling into them to bathe) and two cats, one named Big-Grey, the other, Fluff-Grey.. all of us spent quality time in the garden early yesterday morning. Me doing yoga first, then sipping my pudina chai after, sitting crosslegged, very Buddha-like. Big-Grey and Fluff-Grey are not my pets, they just hang around the place since I toss them some fish when I'm here. Though they seem quite able to take care of themselves because they look in pretty good shape despite my long absence from here. I'm wary of Big-Grey (a male) who has almost sliced my fingers off occasionally if my hand strays too close to his face when I toss fish, plus he bullies Fluff-Grey (a female) to grab all the fish. Fluff-Grey is wary of me, obviously doesn't trust us humans.. very intelligent.

I checked out all my plants, watered and looked after by Hira-bai, my maid, in my absence. She doesn't much care for the cats though.. always complains bitterly about the cats I always seem to collect. I don't know why, but cats seem to gravitate to me.. I must have been a cat in some past life, perhaps they know that.. Cats know everything! You can tell by gazing into their knowing eyes.. Big-Grey's eyes are green like new leaves when the sun shines through them. Fluff-Grey's are brown, like a muddy lake.

There's a slight chill in the early morning air, harbinger of the winter, though the rest of the day was beautifully warm and sun-filled. I spent most of it in the garden, pottering about amongst my plant pots. Also started a new painting, sunflowers in a vase, which I will probably finish later today, after I go and do my bit at the polling booth.

And now, for a hot cup of pudina chai, and then, after the sky lightens a little, my yoga in the garden.

I am in peace and joy :)

Wednesday, October 8, 2014

Feeling fulfilled

My life now is totally about sipping endless cups of tea, allowing it to go tepid, then cold, while I paint and paint and paint.. to my heart's content. Just finished an abstract-ish bunch of purple and white flowers in a flower pot, and I'm feeling as content as a cat that has lapped a bellyful of milk and  then stretches out in the sun and yawns herself into a blissful nap. Only difference is, my mind is so energised that sleep is eluding me. So, instead, I begin ruminating, as usual, about this mysterious effect painting has on me.. I guess on all artists, whatever their field.

Why do I do it.. paint..? It's not that I need the paintings I do.. it's not that I sell my stuff (except for one or two).. I haven't even bothered to start trying to sell them. Like most artists, I'm totally not clued into the commercial aspects of life, especially about my artwork. So here I am, painting off and on over the years, my canvases, papers, pieces of wood on which I do them collecting in cupboards, on cupboards, under the bed, leaning on walls, on every spare surface I can find to keep them. Why, what is this need that drives me to do something that seems so useless, purposeless?

The answer, I think, is the great need I have to create. Painting is like magic for me.. to watch formless paint turn into a flower, a mountain, a tree on a flat featureless surface is sheer magic. Plus, painting, creating these forms, or just abstract forms using colours and brush strokes to create mystery, is a challenge.. and I love challenges. The challenge of mastering an intricate rose, for example.. or a landscape.. keeps me interested in life.. keeps my child-like sense of wonder at watching, examining the creation all around me alive. When I am in painting mode, my senses are constantly alive.. when I see a sunset, I wonder what colours I would need to capture the beauty.. every leaf, stone, puddle of water is about shape, form, shades, colours that exist in my paintbox, and the end of my paintbrush with which I recreate them on my canvas.. What can be more fulfilling than that?

There's no wifi here, so though I've clicked them on my iPad, I can't post the pictures of my paintings yet here. Tried my camera, but something's wrong with the battery... I need to buy a new one... I also need to buy a phone which could be the means of posting my pics... which I just don't have the time for.. So until I get a wifi connection, or a new battery, or a new phone, I guess I'll just talk about my paintings.

Thursday, September 25, 2014

"Tell me about despair, yours, and I will tell you mine."

I usually don't post other's poems here..but my poetic mind has gone into deep freeze.. Despair, hopelessness, don't bring out the poet in me.. Joy, happiness, hope do.. So, read Mary Oliver instead..


WILD GEESE

You do not have to be good.
You do not have to walk on your knees
For a hundred miles through the desert, repenting.
You only have to let the soft animal of your body
love what it loves.
Tell me about despair, yours, and I will tell you mine.
Meanwhile the world goes on.
Meanwhile the sun and the clear pebbles of the rain
are moving across the landscapes,
over the prairies and the deep trees,
the mountains and the rivers.
Meanwhile the wild geese, high in the clean blue air,
are heading home again.
Whoever you are, no matter how lonely,
the world offers itself to your imagination,
calls to you like the wild geese, harsh and exciting —
over and over announcing your place
in the family of things.

My birthday pics at the brewery


Nandini Layout, where my bro's old flat in Bangalore is, is and always has been a conservative Kannadiga sort of area. So, the Orion Mall and District 6 Brewery in it, is quite out of character in this area. Anyway, I love the brewery, especially for the great beer.. so, decided to celebrate my birthday there with my bro. The beer is made by brewmaster, Paul Hoffman, whose pic is here too.. a lovely genial guy with a cute sense of humour. The last two pics were taken on another day when we had gone shopping at the mall, and stopped off at Starsbuck for some coffee.

Well, this year marks the end of my 50s decade, from the next year I step into my 60s.. I don't feel any older than in my teens..seriously..it comes as a bit of a shock and feels strange that I am considered a "senior citizen" now..












My best birthday gift

Neil, my six year old nephew, a natural abstract artist, painted this for me. When he called me up on the morning of the 21st, he said he was on his deck (we call it balcony here of course) with his paints and paper, thinking of what to paint for me. So I suggested why not paint the lake which his deck overlooks. He said, yeah, great idea, Rita (he sounds so grown up these days) and painted this beautiful picture for me. I've told Nondi, my sister and his mother, to get him into a weekend art class, so that his natural talent is nurtured - just look at the imagination he has, the colours of the sky! 


Friday, September 12, 2014

Passionate despair

I am in passionate despair
Depression is the perfume I wear
It seems Life has ordained wretchedness
For me, so when happiness does finally arrive
If it ever does, I will appreciate it better.
Ever since that night - so many nights ago -
When I'd dreamt that he loved me
I have been sleepless, dreamless
Sitting around waiting
Dabbling into my woes
Plunging into seas of attempted prose
Which I pass off as poetry
Floundering in the throes of my heartbreak
Trying to master this dense disaster
Penning my misery deep into the night
My sleep deprived eyes
Getting puffier by the minute
Hoping for a glimmer of hope
From the other side
Where my slumberous love resides
In resplendent uncaring oblivion

Yeah, even in despair, I can be funny
And god knows I am in despair
But what difference does it make
My love, he will not awake!

Thursday, September 11, 2014

How do you paint a dog's howl?

I've begun painting again... and it's beautiful... It's like coming home, after being away for long.. No, it's not easy.. yet.. it never is easy, actually, even when I'm in the flow, but especially so after a long break. The blank canvas, though it's always a thrill to behold..touch..smell..feel.. also fills me with trepidation. Often, I will pencil in a sketch pretty fast... and then flounder, agonising about committing it to paint. When I was young, as far back as I can remember, I would always have a sketch book (we used to call them drawing books, back then.. now, in our Americanised world, it has become an "art journal), which I constantly kept filling, page after page of drawings, watercolour paintings, of anything that caught my fancy.. I don't know when I stopped carrying a sketch book around with me, but somewhere along the way, I did. Somewhere along the way Life caught up with me, dealt me a blow or two, and robbed me of my sketch book.

Now, I think I will get my old companion back.. and fill it again with what my heart feels, what my mind sees.. There are so many wondrous things..the myriad flowers, leaves, rocks, stones on the ground..the sun piercing through cracks in the tree canopies, filtering through leaves.. I love to muse and wonder how to capture those fleeting images with my paint and brush..how exactly can I create that translucent green-gold tint..what stroke should my brush make to capture that impression left in my mind, my soul..

Sunrises, sunsets, the deep black-blue of the night.. dogs howling in the night (as they're doing now).. the dance of light and colour and darkness and sounds..bird calls, a child's cry, a group bhajan filtering in through the window.. All of these always fill me with thrill and excitement deep inside myself.. How do you paint a dog's howl?

I realise that no matter what blows life deals me with, no matter how many times my soul shrivels up and I lose my sketch book, no matter if my art is good or bad or great or nothing..this is the road I was meant to be on.. While sometimes I may lose my way, and sometimes I will just sit on a wayside bench and simply watch the days go by, eventually this is the journey I must take.

One thing of note though.. I have noticed that when I'm in painting mode, I stop scribbling my bouts of poetry, and vice versa.. I wonder why that is so..

Thursday, August 28, 2014

The Silent Canvas Of My Mind, My Heart

It's like a dream bubble. Whether I sit still in a chair by the window, or cross legged on the floor in the balcony, by which tree branches rustle and wave, where crows come and perch and peer at me curiously, or a squirrel darts across, its fur the colour of the bark where it races up and down all day long, or a koel calling long and sweet. And my mind begins smearing, green, gold, red, blue, creating vivid, vibrant pictures on my silent canvas..

I try and make alive the colours that I see, the voices that I hear, in my world outside, in my world inside..fusing them both together..in my silent canvas.

I've been existing.. Being born and reborn.. Life after life, age after age.. Carrying my silent canvas in my heart, in my mind, in whichever direction my life lines twisted and turned. I look up at the sky and see clouds skidding by, the paintbrush in my mind paints them in their greys, in their sunlit golds and pinks. I walk on the cracked footpath, where each day I exercise my body, my mind, where an old man sits crunched, his claw hand emerging hesitantly, his rheumy eyes looking expectantly for the coin I give sometimes, while the paintbrush of my heart paints his yellow eyes, his worn teeth, his beaten face, his crumpled limbs, all in a heap, by a scatter of fallen leaves as withered as him, on the silent canvas of my mind.

I turn into a busy street.. Everyone is rushing, moving, pushing, scrambling.. Only the trees stand still, rooted to their stony spot, ignored, forgotten by the throngs.. I stand rooted with them, slowly watching the sun setting, sprinkling its crimson dust in the sky, on the leaves, on the ground.. And, while another day dies in its blood red hues, the street lights come alive, one by one in rows, spilling their yellow pools of light on the passers by hurrying home.

And I am the tree watching their faces shrouded in the half lit dark.. My silent canvas hurries along with them for a while, wondering which path they will take, wondering what their destination will be. Wondering what destiny I will give them in the silent canvas in my heart, in my mind.

I pause for a while, then take my solitary path into the silent canvas of my life... The dream bubble where I exist... Green, gold, red, blue...  Life after life... Age after age.

Wednesday, August 27, 2014

Curtain of anonymity

He let her in
Suddenly, one day
They speak to each other
Through the curtain
Of anonymity
Like explorers do
Of discovering new
Unknown lands

He opened the door
Suddenly, one day
Inviting her into
His unknown world
And she walked
Right in

She didn't turn around to see
If he had bolted the door behind her
Or had left it wide open
She was engrossed in learning
His unknown world
Through the curtain
Of anonymity

Sunday, August 24, 2014

Reaching for the sky

You steal into my thoughts
Like the patter of raindrops
In the silver of this monsoon night
Gently awakening my senses

Wet earth, wet boughs, wet leaves -
I breathe it all in
Letting them envelop me
In a quiescent embrace

The trees sigh, letting out
Their breath, so long captive
Within their hard bark
Now peeling, discarding

Revealing renewed limbs
Shimmering in the rain
Dancing in the breeze
Reaching for the sky

Saturday, August 23, 2014

I Eye My I

I Eye My I

My I Eyes My Mind

My Mind Eyes My I

Wrapped Like A Rind

Around My Mind

That Eyes My Eyes

That Lives In My I

That Lives In My Mind

With Eyes That Eye

My I In My Mind

Which Eyes My Mind

In My I Eye My I

Thursday, August 21, 2014

My Johor-Kaku... and, Shob Choritro Kalponik

A couple of days back, coincidentally, since Rituporno Ghosh was a topic of our conversation recently, while searching for a passably good movie to watch on TV, my Ma and I chanced upon Shob Choritro Kalponik by Rituporno Ghosh on one of the Bangla channels. A 'must see' if you haven't seen it... Apart from it being a good movie, my Ma made an interesting comment about it.. She said that it seems the movie has been based on my uncle's (my father's youngest brother, Subrata Chakraborty, who was a poet) and his wife's life story.. Here's a good review of the movie: http://se7enmm.blogspot.in/2009/09/shob-charitra-kalponik-lost-poem-in.html - In the movie the character named Indraneel, played by Prasenjit (he's such a good actor compared to his father, isn't he?), is the poet..i.e. my uncle, his wife, Radhika, played by Bipasha Basu, my uncle's wife, Maya, and Radhika's friend Shekhar, played by Jisshu Sengupta, is actually Buddhadeb Dasgupta whom my aunt Maya had had a close relationship with, much gossiped about in my father's family.

One story my Ma recounts is how Buddhadeb Dasgupta had told my uncle (his dak-naam was Johor (Jawahar), so I used to call him Johor-Kaku) to write the script of one of his movies, which my uncle did, but felt cheated when his name was not there in the movie's credits. And yet my aunt Maya continued her close friendship with him.

Anyway, nowhere in the movie 'Shob Choritro Kalponik' is it said that it's based on a true story..but my Ma is completely convinced it is my Johor-Kaku's & Maya-Kakima's story. At least the bare bones of it.. such as the constant strife there was in their household because Johor-Kaku, like most artists, was completely impractical about money, disinterested in earning a living to run the house, or take part in various household duties and needs, and would instead be either immersed in his poetry or do "adda" and booze with his literary/artistic friends at the famous "adda" place of Calcutta, the Coffee House, while my Aunt not only worked to make ends meet, but also had to handle all the household cares..such as the kids, the chores. And of course my aunt's relationship - whether it was platonic or a full fledged love affair is not known by the family - with Buddhadeb Dasgupta. Plus, neither has Johor-Kaku's poetry been used in the movie.

The interesting thing about Johor-Kaku is that nobody in his family knew that he wrote poetry, and that he had made quite a name for himself in the literary/artistic circles of Calcutta. It was only when he suddenly died of a heart attack at the young age of 38, and when his death was announced in the radio and newspapers, that his family discovered it. In fact, my Ma says that my father had exclaimed in surprise to her when he heard and read tributes to my uncle.. "Hae?! Johor ki kobitha likhto?" To which my Ma had replied caustically, "If you didn't know, how would I know.."!

On hearing this, I felt quite sad, and also felt a sudden affinity to my Johor-Kaku.. I too keep my poetic side of me hidden from my family.. I feel shy to expose that part of myself to them, though, paradoxically I don't mind strangers reading them. Since I used to always doodle/sketch in every bit of paper I got hold of, my parents knew that I could draw, but never knew how important it was to me.. neither did I ever tell them. Likewise my natural singing voice.. my parents came to know I could sing a bit when I sang a song on stage for some function at Singareni Collieries, where my father worked.. But they never thought it could be a serious pursuit for me.. It was much much later when I would ask my father to write Tagore's songs in English script, which I would learn from records, that he would say off handedly that I should pursue music as a career..

Getting back to Johor-Kaku.. I remember him as a bespectacled - with those thick black rimmed square spectacles that were pretty common those days - dark, brooding faced, yet with a pleasant smile, good looking young man. Since we used to spend most of our time at my Mama'r baadi on our annual trips to Calcutta, I am more familiar with my Mamas, Maamis, and Maashis, than my Kakas and Kakimas. But I distinctly remember once when I was about 10 or 11 years old, we had gone to Burdwan to visit my Jethu, Mejho-Kaku and Johor-Kaku, all of whom lived close to each other, and, being a voracious reader those days, my delight on spotting the stuffed bookshelf at Johor-Kaku's house. I of course made straight for it and after riffling through various hardbacks and paperbacks, both Bengali, which I ignored since I couldn't read it, and, joy of joy, English, which I devoured insatiably, I chose Nabokov's Lolita, much to the consternation of various grown-ups there.. They thought it was not a book a 10/11 year old should read.. But Johor-Kaku just smiled languidly and told me to go ahead and read it.. It was beside the point that I didn't quite get what the hell the book was about anyway, at that innocent age..but understood when I read it when I was a little older.. (Which brings me to the point how male writers like Nabokov falsely fantasise about girls/women and create Lolitas).

Anyway, ever since the topic of Johor-Kaku arose, I've been dying to read his poetry. Sadly we don't have any of his poetry in our book collection, many of which are remnants of my father's, who was also a voracious reader. Hence I tried to google, hoping to find some online. I did find a couple of short poems by Subrata Chakraborty, but I don't know if it is my Johor-Kaku, or some other person by the same name. Nevertheless, here are the poems.. Do tell me what you think of them.. I think they're beautiful..

Nichhup
bhanga barir choukathe ekta bhanga frame
gacher pata sukiye o ekta kektas
dhusor bali te ore koaek tukro kagaj
fis fisiye kotha bole oder himshital pran...
-subrata chakraborty

Prakitik
basor ghore pradip nebhano chilo
hasnuhanar gandho choriyechilo
ek fali josna khujchilo aar bolchilo
chere dao amake
ami pradip jaliye asi....
-subrata chakraborty

As an end note, at the end of Shob Choritro Kalponic, there is a poem recited in the background, which my Ma says she used to recite in her childhood.. Here it is:

Amader chhoto nodi chole bnāke bnāke

Amader chhoto nodi chole bnāke bnāke
Boishakh maashe tay hnatu jol thake.
Paar hoe jay goru, paar hoy gaari -
Dui dhaar unchu taar, dhalu taar paari.

Chik chik kore baali, kotha nai kada;
Ekdhare kaash bon – fule fule saada.
Kichi michi kore setha shaliker jhaak,
Raate othe theke theke sheyal-er hnaak.

Aar paare aam bon, taal bon chole-
Gnaaer bamun para tari chaaya tole.
Teere teere chele meye nahibaar kaale,
Aar paare aam bon, taal bon chole-
Gnaaer bamun para tari chaaya tole.
Teere teere chele meye nahibaar kaale,
Gamchai jol bhori, gaye tara dhale.

Shokale bikale kobhu nawa hole pore
Anchole chankiya tara choto mach dhore.
Bali diya maaje thaala, ghotiguli maaje,
Bodhura kapor keche jay grihokaaje.

AshaRe badol naame, nodi bhoro-bhoro-
Matiya chutiya chole dhaara khorotoro.
Mahabege kalkal kolahol othe,
Ghola jole pakguli ghure ghure chote.
Dui kule bone bone pore jay shara,
boroshar utshabe jege othe paara.

Our little river

Our little river flows in graceful loops
The summer heat dries her to a gentle flow,
Both cart and cattle travel across with ease
Her banks are high, her depths are shallow

The sand bed glitters, no trace of mud
The far bank shimmers with Kash flowers white,
where flocks of mynas chirp busily all day
And jackal calls arise at night

This bank shelters sleepy hamlets in the shade
Of ranks of ancient mango and palm tree
At bath times, children swim and play
Splashing water at each other in noisy glee

Each day as their bathing is done
They catch little fish in nets of cloth
Women take home their pots scrubbed clean
Their washing all done, they return to their chores

When the rains descend, the river swells fast
Rushing waters raise voice in happy uproar,
The muddy torrent spins in eddies and swirls
Both banks uniting in joyous clamour
Awake, to join in the festival of rain

Wednesday, August 20, 2014

The bleeding bird

Things being
As they are
I must admit
I'm that lost bird
Who tried to fly
Before her time and
Fell flat on stone ground

So here I am
Covered in my
Bleeding feathers
Attempting to rise
Again and perform
My air dance
For a star
Which I'd been training for
All my life
And find my head
Reeling, lurching
Crazily

But, Oh, Incognito
A secret name
Carved on the wall
Of a bleeding feathered heart
You're the solitary star
The bleeding bird
Is tied to
Seeking the warmth
Forever hidden

Sunday, August 10, 2014

A butterfly screams

As night gave way to first light

And the stars began to fade

Sitting by the tall tree

Near which the hibiscus flowered

With blood red petals

I heard a faint whispering

Of fluttering wings

Which caught my wandering eye

Hungering for a death’s cry


So with a quick twist

Of my nimble fingers

Its rainbow wings I tore

And when it fell to the earth

Twisting and contorting

Its ludicrous trunk

With a quick foot

I stamped out its breath


So there it was

That silly thing

With its rainbow wings

All tattered and torn

Its ugly torso

All squelched and squished

A little blot of lifeless butterfly

Baking in the morning sun


But then to my astonishment I heard

Caught within the sticky red bloom

Its silent butterfly scream

The hideous cry pierced my ears

Like a sharp rapier thrust

Which I found intolerable to bear


So with deft fingers

Again I swiped

With a butcher’s sharp knife

Now at the hibiscus bloom

That dared to dream

Of defying what I’d decreed

 And slashed and sliced

Until it lay torn to shreds

In red drops of fresh blood petals

Saturday, August 9, 2014

Some songs I'm listening to..

I have so many favourites in Western pop, I just can't pick and choose.. So, I just dive in - these days in YouTube - and just listen to whatever I happen to come across..and I plunge into nostalgia that fills my heart and throat..

Donny Hathaway - You Were Meant For Me: https://m.youtube.com/watch?v=T0MUE5ikrx8

Roberta Flack - Killing Me Softly With His Song: https://m.youtube.com/watch?v=O1eOsMc2Fgg

If you could read my mind by Gordon Lightfoot: https://m.youtube.com/watch?v=Of4i1aaBXm8

Just When I Needed You Most - Randy VanWarmer: https://m.youtube.com/watch?v=a_B7ob_kV0I

Jim Croce - I'll Have To Say I Love You In A Song (1973): https://m.youtube.com/watch?v=EN1nMpmC0n4

James Taylor & Carly Simon - Close Your Eyes: https://m.youtube.com/watch?v=E_D0i7UC9UY

Carole King & James Tyalor - So Far Away: https://m.youtube.com/watch?v=urt2cy7AqFs

Will You Still Love Me Tomorrow? - C.King: https://m.youtube.com/watch?v=5XFLruFA-9Y

Anne Murray - You Needed Me: https://m.youtube.com/watch?v=e6nfpxZ2Nz4

Wednesday, August 6, 2014

The forbidden door

So many were they
Poets, artists, well known
Countless many un-named, unknown
Ordinary souls

They loved, they lost
They opened the forbidden door
Dark and heavy
And stepped into
The unknown

They gave, and gave, some more
And then, some more
Their meagre offerings
Of words, of images, of imaginations
Of love songs of the beating heart

And though they could dig deep
And extract more
Perhaps it would
Devalue the offering

Sometimes, even offerings
Of the heart
Are not sufficing enough
To beat the odds

Hence stepping through
The forbidden door
Seemed the wiser option, perhaps
Before the offering
Went cold

Monday, August 4, 2014

Ruminations in formaldehyde

60 minutes …  One picture-poem

For each minute minute of life lived. Or un-lived.

Limited to picture-words. Word-pictures…

TV images. Flashing. Quick word bites.

Each minute must perform its piece,

Or provide a glimpse. Of previous performance..s

Of life spilt.. sloshed ...split.. …Into kaleidoscopic bits

And pieces…

Unspooled ..spools leaking..through brain-pipes

Un-winding..winding…trails…through blinding mazes

Wrapped around finger-snails..frail..sleight-trains

Running on braille.. criss-crossing…converging

Fusing to a haunt in the distance…

Memories.. greens.. purples..reds tossed in a salad bowl

Of words, images, stereophonic sounds… cacophonic howls

Familiar and unfamiliar, jigsaw puzzles. Mindscapes. Painted

On odd pieces of stretched canvas. S-t-i-f-f. As dead cow-hide.

Bleeding acrylic oil emulsion turpentine. That disguise the stench.

Ruminations in formaldehyde….

Friday, August 1, 2014

The Melody Queen, Geeta Dutt

She emotes when she sings in her rich, full throated voice. Whether she sang for the seductive courtesan in 'jaane kya tune kahi' or song in the style of a kirtan 'aaj sajan mohe ang laga lo' or a lullaby like 'nanhi kali sone chali' or the deep pathos of 'waqt ne kiya kya haseen sitam', in each of her songs Geeta Dutt's voice reverberated with raw, pure emotion. Yes, she didn't have the musical technique and training like Lata Mangeshkar had, but when Geeta sang she sang with spontaneity, her melodious voice often reflecting the pain, sadness of her life. So while Lata Mangeshkar is the Nightingale of India, Geeta Dutt can aptly be crowned the Melody Queen. But her songs and voice are much beyond that..while I am quite familiar with her Hindi songs, many of her Bengali songs are new to me, hence I am exploring them. Here are some of her Bengali and Hindi songs:

SONAY DHEKE ANGA: https://m.youtube.com/watch?v=u2OrssAJG_8

Tumi Je Aamar: https://m.youtube.com/watch?v=yUqeAVzlYjw

Nishi Raat Banka Chand: https://m.youtube.com/watch?v=Kk1QO65wb94

Eii Sundaro swarnali sandhya: https://m.youtube.com/watch?v=f4ClG8cdvLg

Barse Badariya Sawan Ki: https://m.youtube.com/watch?v=lFc3eJcjnY4

Jhanak Jhanak Kanak Kanak: https://m.youtube.com/watch?v=-TZYBsNz9g8

Jhiri Jhiri Chaitali : https://m.youtube.com/watch?v=0yy_EbKlrv8

Haule Haule Hawayen Dole: https://m.youtube.com/watch?v=u5vK-9b33tg

Ye kaun Aaya Ki Mere Dil Ki: https://m.youtube.com/watch?v=Fh3Q8ZoBSMg

Aaj Sajan Mohe Ang Laga Lo: https://m.youtube.com/watch?v=m8YxLGlFZHw

Waqt Ne Kiya Kya Haseen Sitam: https://m.youtube.com/watch?v=paAptFpHBm8

Jane Kya Tune Kahi: https://m.youtube.com/watch?v=mLGCAGHNTJU

Meri Jaan Mujhe Jaan Na Kaho: https://m.youtube.com/watch?v=F6FkVPOMtvM











Thursday, July 31, 2014

Togetherness, apart

She gives him
Pieces of her heart
With her words
Spun in her solitudes
He gives her
Pieces of his silences
Spun in deep purple voids

Bitter-sweet is the scent
Of this un-named flower
Togetherness, apart

A pebble on a beach

I am just a pebble on a beach

Or perhaps a sea-hare

On the seashore . . .


My life is but a blink

Caught in the ebb and flow

In the vast ocean of Time


I am one with my mother -- Earth

Captured in her celestial dance

Travelling unknown paths

Through starry stardust

Forever espoused to the Sun

Held in his unrelenting clasp


Forever longing

For her lover -- the Moon

Keeping him enchained

Within her grasp


Forever a speck

Of celestial dust

In the vast sea

Of the Universe . . .


What matter if I know not why

I am just a pebble on a beach

Or just a sea-hare on the seashore

***************************

To all my dear readers, I'm experiencing really bad, slow, sometimes dead internet connection, so my silent canvas may go silent sometimes. I'll try to post when I can.

Wednesday, July 30, 2014

The goldie-oldie mood again..

Well, I've gotten into goldie-oldie mood.. And it's Kishore today, or tonight..Listening to these songs now..they're even more beautiful in the silence of the night..not even a street dog howling..

MUJHE KHO JANE DO - KISHORE KUMAR: https://m.youtube.com/watch?v=I1D18zvQBaM

panthi hoon main us path ka - Kishore Kumar: https://m.youtube.com/watch?v=5JoItHF6X8c

Bekarar Dil Tu Gaye Jaa - Kishore Kumar, Sulakshana Pandit: https://m.youtube.com/watch?v=v0A1D26wFiA

Koi Lauta De Mere--Kishore Kumar: https://m.youtube.com/watch?v=a1LoF-fN51o

aa chal ke tujhe.. kishore kumar: https://m.youtube.com/watch?v=7bNULRlWh1k

Ruk jana nahi tu kahin haar ke (Kishore Kumar): https://m.youtube.com/watch?v=VFj3FcUJO9M

Chu kar mere mann ko (Kishore): https://m.youtube.com/watch?v=U6rM5ZF3Cpk

Aane wala pal jaane wala hai (Kishore): https://m.youtube.com/watch?v=Rh6LTKG4bBw

Kishore Live - Pal pal dil ke paas: https://m.youtube.com/watch?v=nVqw76rbpzE

Kishore Live - Zindagi ka safar: https://m.youtube.com/watch?v=HWrCyIDg2JQ

Kishore Kumar - Jeevan Se Na Haar O Jeenewale: https://m.youtube.com/watch?v=6BHOJaovd6s

Tuesday, July 29, 2014

afraid of drowning

it is you it is you who

are the ocean swishing

washing whispering humming

the heady wine of your songs filled

with the seductive blue-greens of the skies

the honey salt of your sprays the sedating

fingers of your breezes combing my

tresses caressing my senses

flowing helplessly floundering powerlessly

in the grip of your rolling rippling waves

i am the earth solid as rock

yet soft and shifting as the sand

drowning in your arms

against which you crash and pull

inexorably trying to break

my will tearing my heart

my tender limbs into shreds

you crash and recede far out of reach

from my clinging lips my clutching eyes

and rise and roll again in your inescapable

relentless waves so overwhelming

so overpowering so huge so huge

enough to swallow me

engulf me claim me subdue me

in those unfathomable depths

from where my life-oxygen my sun

my moon my stars my birds on wing

would forever be destroyed

turning me into barren

sand a parched desert where

not a blade of green

would spring up in hope

of new life –


my love, forever must I be

the lone rock standing

staunch in an empty shore

afraid of drowning in

your silent dream songs

which you fling against me over and over

until time turns into water wind and stone

Monday, July 28, 2014

A drowsy afternoon slumber

somnolence creeping in the grass

drugged in dreamlike torpor

underfoot, the wild creeper climbing drunkenly

up the dosing trunk of the guava, sleeping off

the wine of the cloudy sunshine, the wash

drooping, groggy in the tender heat, wafting

soapy from the clothesline, the fanned leaves

of the papaya spreads drowsily open, drinking

the yellow liquid warmth, the fruit turgid, hanging

green-orange ponderously pendulous,

enfolded by the velvet air, the spider weaving

its sticky tales in strings of silver mazes, a sudden

shuddering fluttering of pigeon’s wings, a startled

crow’s indignant caw-caw,  the koel's sharp cry,

an insect’s lazy buzz-buzz crawling

through the tranquillised petals of nodding flowers

sun-burnt fallen leaves, sodden

soaked by a monsoon shower --

a book slipping from insensate fingers

its pages falling open haphazardly

its half read story crawling out of the open pages like ants

tumbling stumbling to the slumbering earth

Sunday, July 27, 2014

Melodies Remembered

(Something I plucked from the past.)

 …“My love has forgotten me..O, He has forgotten me…He had promised…Here to meet me …On this street…But he hasn’t come yet…O, promises he had made to me…But he hasn’t come yet…To find out how I am…”…Where was that old song coming from? Who was singing it…I knew it from long ago..

I didn’t know what time of the day it was. It felt like evening, but I wasn’t sure. There was a strange glow in the sky. But I couldn’t locate the sun. Neither were there stars, or any sign of the moon. It could be early morning, but it didn’t feel like it. Something in your bones always knows what time of the day it is – but something seemed awry with mine. It could even be a clouded mid-morning – but I couldn’t see any clouds in the sky. In fact, the sky didn’t look like the sky at all – just this eerie glow. And I couldn’t locate the source of the light.

…“That evening that day was strange…This evening today too is as strange…Yesterday it was close to me…Today too it feels just as near…”…And where was this voice singing these old songs from pasts…?

I didn’t even know what I was doing there. In the middle of the narrow ribbon of road. There were some people going up and down – but they seemed shrouded. I couldn’t see their faces or their eyes. An occasional rattly vehicle trundled by now and then. I tried to retrace my thoughts to where I had been before I had got here – but I couldn’t remember. I looked behind me, but it was just this narrow grey road going as far as I could see, both behind me, and in front.

And unbidden comes another song…“I call your name as I walk along…through these streets and narrow lanes…All I want..Is to feel..the shade…of the cloud..that your tresses make…Just for one look of love from your eyes..My love…I call your name as I walk these streets and narrow lanes…”

And suddenly I thought – but who am I? I knew I was me – of course I knew me. I mean I could feel my familiar self, the familiar thoughts coursing through my brain. I looked at my hands – they were mine. I looked down at the rest of me. My chest, my belly, my legs. They were mine. I knew them to be mine. I had them all my life. So physically I belonged to a past. I mean I couldn’t be here now, within this body, unless I had arrived from somewhere, could I?

But where had I come from? I felt a vague uneasiness welling up. I had been on my way somewhere. I mean I had set out from somewhere - which I couldn’t remember. - to go somewhere - which I’d forgotten. Or seemed only vaguely to know.

… “Are you some dream..Or are you some kind of reality…Tell me…Who you are…You’ve been standing there..So far away…For such a long time…Come close to me…Let me see…Who.. or what you are…”

I cajoled my mind to try and think. Wait. A train. I had set out to catch a train. I didn’t know where I was going by that train, I had no idea where the station was – all I knew was that I had to get on that train. And this road I was in, would lead me to it, if I followed it.

So I began, or resumed, walking. I must have been walking to get here. Or travelling by some mode. All I knew was that I was standing there, in the middle of that road, under this strange sky, where I couldn’t tell the time, and that I had to go somewhere, for which I had to catch a train. So I set off. Somehow I knew I didn’t have to hurry too much. I had time on my hands. Not indefinitely. But enough for me not to hurry.

… “Come, Come my love..Walk with me..And I’ll take you to a place.. under a sky…Where there is no sorrow..Not even tears…Where only the flowers of love fruit lusciously…We’ll walk under such a sky…”…sang another familiar voice..

And the road? It was familiar. Yet, strange. I mean roads are like people you know. You know their features. You know what their voice sounds like. You can even predict how they think, and respond to a given situation, if you’ve associated with them long enough. This road felt like a friend whom I had not met for many years. Whose ways I had to re-learn. The familiarity regained from the mystery of strangeness grown through time not traversed together.

… “My Friend..you’ve not remained a friend…My love…you’re no longer my love…Life…I’ve lost faith in you..O Life… I’ve lost faith in you...”

And as I walked through the familiar sepia tinted path, it felt like I was listening to an old record. You know, like those solid 78 rpm records from the past. In my childhood I listened to them on hand-cranked record players, with needles that blunted and needed to be changed after every five or six times you played a song...

Songs that went something like this…“I don’t know what kind of people they are…Those who get love in return for love…When I asked for garlands of flowering buds…All I got was a garland of sharp thorns…”

Records playing old songs, sounding tinny with age. Sounding scratched because the needle gets blunt, and keeps slipping and skittering, finding it hard to stay in its groove. The past melding into the present, leaving only a grooved trace of the trail. Threading its way to a future, a smooth black blank space, where the groove runs out, and so does the song. Where the needle oscillates to and fro with a hiss, once the song is done – from the label, which cannot be read, because the turntable is still turning, to the end of the grooved thread it had just slipped out from.

And another song from the past begins humming in my head, a song somebody used to sing, long ago … “as long as my lips do not drink the nectar from your lips to its last dregs…this traveller’s feet will forever be entangled in your tresses…and I’ll hum this song… to your eyes and your face…wherever you may be..whatever path you may tread..I’ll sing my song..just this way..for you”…

So the song went..insistently hissing and scratching..from the needle which had slipped free from its groove.. I heard the song in my head…but I couldn’t read the label of the still turning record from which it played…the singer's song played in my head, his name blurred, obscured by the haze that distant pasts create.

As I walked, I began noticing the occasional abode that lay strewn on either side of the road. Moulding walls, spider-webbed with tiny cracks crawling all over the facades. The windows, heavy lidded – the coquettish eyes of aging beauty, long lashed, fluttering and flirting, enticing the shrouded passers by, in the decaying half-light, who did not pay any heed. Narrow, half opened doorways, withered, gnarled, beckoning, into musty darkened interiors…

From where a cracked voice sings from another hissing old record..“..do not leave me.. O my love… tearing your arms away from mine.. O my love..for then I swear.. On you and your name.. O my love.. I will not be able to stop the tears I shed..”..Was it coming from inside one of those houses, or was it playing in my head? I wasn’t sure. I walked on.

It was a town where time seemed to have stopped for a while, as if caught in a frieze. But which felt that it was about to start ticking again, anytime soon. As soon as it remembered how. The shrouded people that passed by seemed to be afloat in some lost romance, like the decomposing buildings. Their iconography displayed everywhere – like peeling posters plastered on crumbling walls. Giant murals of painted men and women frozen in mid air. Lurid dreams fossilized in rickety hoardings.

While the ancient vehicles, along with clanking bullock carts, chugged and huffed up and down, flowing like boats flitting on a river, or clouds skidding in the sky…

“Where does the Ganga come from…Where is the Ganga going to…Its waves flow…like shadows and the sunlight float in water..” --- Sings an old street singer, sculpted in stone, a beggar, really – holding his calloused hand out for a few coins --

While the noisy vehicles pass petrified roadside vendors, men in threadbare turbans, women in flowing, once vibrant, clothes, now tattered and faded, caught in frescoes, haggling their wares -- vegetables, fruit, or fries -- wheedling at their customers, and cursing their beedi smoking men, in the same breath.

I had been sensing it for quite some time now. There was someone following me. The light was beginning to wane, the road was darker. I looked behind me – but there were just shrouded figures walking. Just my imagination, I thought. I was just nervy, I decided. And walked on.

And I heard another haunting old melody… “Wherever you walk…My shadow will always be with you…My shadow will always follow you…If you should turn around and look for me…Even though you may not see me…My shadow is following you..My shadow is always with you…”

The feeling persisted. I could feel a presence looking at me intently from behind, and following me. I twisted around sharply, once or twice, to catch out the person, but each time it was just those blank shrouded people behind me that met my eyes. Now this shrouded figure that I had caught following me seemed like a chink of light in a darkened tomb in which I felt I was buried alive.

I turned off the road and entered an empty, dark, narrow lane that went into a thicket of trees, and waited, half hidden behind a tree. And sure enough, soon a shrouded figure stepped cautiously into the lane, and peered into the gloom. I stepped out and accosted the shroud, I could not tell if it was a man or a woman: Why are you following me, I said.

At which he or she turned around swiftly and went back into the road. I followed half running: Wait! I yelled. Stop. I called. Why are you following me? I asked. But the shrouded figure only walked faster, trying to melt in with the other shrouds. But I had it pinpointed in my eyesight. I had an imperative need to catch up and know what this was all about. What I was doing there. And why had he/she been following me. I was sure the shrouded being knew something. I had tried talking with the other shrouded figures around me – but all I got was silence.

…“My heart said something…It was nothing…My heart heard something…It was nothing…Such conversations too happen..My love…Such conversations do happen..”

So I held my shrouded figure hard in my sights, and followed it doggedly. But the faster I walked, the faster it seemed to move too. The distance was lengthening between us. I began running and calling out desperately: Hello! Wait! Please, Wait!

It had entered a big, crowded building – I knew I would lose him, or her, if I didn’t catch up now. I ran inside desperately looking for my shrouded creature and I suddenly realized I was at the station. And suddenly I knew why the shrouded being had been following me – to lead me here. I looked here and there, but I couldn’t see it anymore. It had melted with the others who were walking silently to and fro the platforms where trains were waiting.

I knew my train was on platform number three – I didn’t know how I knew that – I just knew. I walked up to my compartment, found my berth – all of which I also knew somehow – and lay down tiredly. It was dark now outside. I drifted off to sleep. And I didn’t even know when the train began to move.

“…I know not what paths I must walk..I know not what my world is…Whose hand I shall I seek…To help me traverse these paths..And I know not what my destination is…But my heart tells me…This is my world…And this is my destination…”

From the depths of deep slumber I heard someone calling me.. Rita…Rita..Wake up..

I wished they wouldn’t..I was so tired..I wanted to sleep – but somebody was shaking me now – Rita..Get Up..

I opened my eyes. Through the haze of half sleep I saw it was my mother shaking me and calling me: What is it..? I said drowsily. Let me sleep…

Get up..Or you’ll miss Belampalli..

And I was suddenly wide awake. It was broad daylight. Our train was moving slowly – a signal ahead had not given it clearance, my father told me. My mother and my father were sitting opposite, eagerly looking outside the window. We were on our way to Hyderabad – a journey we were making after almost twenty years of leaving the place.

But more than Hyderabad, where I went to school, it was Belampalli that we were all eagerly waiting for. For it was in Belampalli, a small coal minig town that my father had worked all his life, until he retired. It was in Belampalli that I had left my childhood behind.

Suddenly I yelled excitedly – I was a child once more – Ma, Baba, look – there’s that old movie theatre – Gawd, it’s still exactly the same—

Yes, time had stood still at Belampalli – the train was moving through its tiny station now, not stopping. So many times had we come to this station, usually on our way to school to Hyderabad, sometimes on journeys to Calcutta --- drunk tea from that tiny tea stall, waited hours for trains perpetually late.We watched in silence, tears in our eyes, as the train slowly left tiny Belampalli behind.

And an old song I loved came to my mind – “Bichad gayaa har saathi dekar pal do pal ka saath kisko fursath haijo thamme divaano ka haath humko apna saaya thak aksar bezaar mila - Isko hi jeena kahthe hai tho yuhi jeelenge - uff na karenge lab see lenge aasu peelenge - gam se ab ghabrana kaisa – gam sau baar milaa-”

“Separated …All our companions have left us…After spending only a moment or two..Who has the time Or the inclination…To hold the hand of old memories…Even my shadow has forsaken me… If this is what they call life…So I will live it as it is…Not a moan, nor a complaint shall pass through my lips…I’ll seal my lips…And drink my tears…Why should I fear sorrow…For familiar Sorrow has come a hundred time…”

(All the words within quotes are songs from old Hindi movies, from the late fifties, through the sixties, and maybe patches of the seventies – The golden age of Hindi cinema, and its music. Unlike in the West, India had no outlet other than its cinema for its popular music. Hindi cinema therefore, in those times, attracted some of the best poets the country has produced, and music composers, and singers. Their like will never be seen or heard again as we sink into crass cheapness and garish loudness that our cinema and music have generally degenerated to these days. 

This story is dedicated to all those singers, composers and lyricists that gave so much meaning and beauty to my growing years – The golden voices of Hemant Kumar, Manna Dey, Mohammad Rafi, Mukesh, Talat Mehmood, Kishore Kumar, Geeta Dutt, Lata Mangeshkar, Asha Bhonsle... Music composers like SD Burman, RD Burman, Salil Choudhuri, Laxmikant Pyarelal, Kalyanji Anandji, O P Nayyar, Ravi. Lyricists like Sahir Ludhianvi, Kaifi Azmi, Majrooh Sultanpuri, Gulzar, Indeevar, Shailendra --- Just to name a few. They took the music from the traditional sounds of India – Folk, Classical etc, they took from the Western traditions, sounds from the Middle-East, and the far East --- and they made the most wonderful music. Of course translations can never capture the beauty of its originals – I have kept mine simple, perhaps simplistic, and direct – )

Saturday, July 26, 2014

nervus facialis

oh, er, excuse me, just a sec, while I put my teeth back
in my face, and yes, hang on will you, till
I unstick my lips from its doorjamb – oh yes, my eyes are somewhere,
now let me see where I mislaid them – oh,
there they are, in the stone mug of salt-water skull-hole,
oh dear, now where is that tongue of mine,
bottled up in some desiccated doldrums, I bet – and my ears,
they’re impaled on the muted thorn-bush of auditory-nervosa,
and how could I, I forgot my nose, my chloroformed nervii-olfactorii of exteroception, wait, wait, a minute more please, let me put back my cheeks and forehead, my brows and eyelashes, can you find my chin, oh, where is my smile, oh, thank you – there, I’m done – ready to face the day, and you --
am I happy or in agony, I don’t really know -- you tell me –

Friday, July 25, 2014

Lying - sleeping--- Awake

Dark-

ness awake

I lie sta--ring


Dark-

ness alive moul-

ding

With the ]

[walls] burying

me live


Closing ... closing in

[[on me]]


dark walls

of my awake

mind


dream

-ing sea waves

time & mind soldering

smouldering mouldering seam-

less - ly with the

Stars that hide

Out - side


In a – no – ther life

Seeking pasts

That don’t last

Lo - ver where

were you

When I was

Born?

Where

are you

In this dark

Morn?


Are Your

Eyes

((Heavy lids)) asleep?

You

Are

Fa – r ther Fa – rth – er F – ar – th - er

Far Far Further than

The moon

That shines cold

White

Deep ... Deep ...

In the clouds


Natal - being

me

Coiled

In the still birth-

ing


Playing in the

Sand pits

Of child - dream

Dream – ing


Drift wood

Drift – ing sift – ing

Shif - ting

In the quick – sands

Laughing ... laughing

Laughing


Crying in the night


Rain - black

Washing

Swishing swashing calling

Calling ... calling ...


Crying


Dark [[[walls closing]]]

Closing in…clos – ing cl – o sing

in

Running

Out - of - dreaming


Lying - sleeping---

 Awake

Thursday, July 24, 2014

At the Reservation Counter

(I am travelling by train after a long long time... I'm trying to recollect when I last did, and I can't. Anyway, I went to reserve my ticket to  Mumbai.. -- Yeah, actually went physically, instead of doing it online as I was advised to do, simply because I am still so old school about matters like actually having a ticket in my hand on board the train, since I am travelling alone -- ..Anyway, as I was saying, on my way to the railway reservation counter, which I went to early in the morning, hoping to be first in what I expected to be a long, interminable queue, I expected to spend a good part of the day there, for which I had armed myself with a book (how old school is that!), but to my pleasant surprise, I found the counters almost empty of queues, jostling people.. And my work was done in 5 minutes! I think the reason is that most people have started booking their tickets online, plus, at least in Bangalore, the railways have opened a number of reservation counters at various points in the city, thus solving the hassles of overcrowding. Whatever may be the reason, I was reminded of a short story I had written years back about my experience at a reservation counter.. Here it is.)

She was beautiful. I was a young man infatuated by her looks.

Long queues snaking towards pigeon hole ticket counters. A sizzling day in May. Asphalt melting, the pavements baking, outside, in the mid morning glare. The fans overhead desultorily whirring sending down waves of oven hot air. The large railway reservation hall, usually airy, stifling, jammed with people. The whole city seemed to be in a state of exodus to escape the scorching summer heat. 

I was at the end of the queue at counter number 17. She, a little ahead of me at the next one, at counter number 16. She caught my eye instantly the moment I entered. Thirty-ish, curvy, hair cropped short, striking. She looked out of place there. She held a glossy magazine to her lipsticked face, with her red varnish tipped hands. Occasionally looking up to check the progress of the line. The lines were creeping along at a snail’s pace. 

The old man stood in front of her. Limp grey hair clinging to the sides of his scalp, the top, a patch of brown skin, shiny with sweat. His cadaver like body stooped, belying his height. His thin-lipped mouth hanging open in a black void, displaying the few straggling yellowing teeth left. His eyes lusterless, the pupils hazy brown. He shifted from one foot to the other as he waited in the line. 

The heat grew in intensity as the day wore on. The old man slowly licked his thin dry lips with a thick greyish pink tongue. She continued reading her magazine, turning the pages slowly. The dark ends of her hair turning into damp curls as droplets of sweat broke out on her delicate skin at the nape of her neck. I toyed with the idea of approaching her and making contact with some innocuous remark. But dismissed the thought. A snub was all I’d get, I could tell. 

The large round clock on the wall said 11 o’clock. We had hardly moved forward. Computerization was supposed to speed things up, but things seemed to be as slow as the days of tickets being punched out after being painstakingly handwritten upon. Efficiency and speed were simply alien concepts to the Indian railway’s bureaucratic mindset, I fumed cantankerously. 

Despite the heavy rush at the booking counters I could see several shut down. What did these guys lack? Manpower? Here? In India? Unless they felt the bite of competition they would never change their ways. Privatization was the only answer to getting better service. Ramesh, my roommate was right. We were in the fourth year of Engineering, the exams being unexpectedly postponed, I was trying to get a ticket to go home. But looking at the size of the rush I wondered if it was a futile endeavor. 

The glass sliding doors behind kept opening and shutting as more people poured in from the heat outside into the furnace inside. I longed for a glass of the iced pink water melon juice being sold outside, but I dared not leave my place in the queue. I had seen angry squabbles arise out of people going out and trying to regain their place again at such lines. With the mercury tipping at 44 degrees Celsius, the utter weariness of standing unending hours, tempers were bound to be frayed, bonhomie destined to be non-existent. 

And there were people everywhere. Everyone trying to get somewhere. Some were bunched at the large board which had the names, and the departure/arrival times of various trains. Groups of people hunched over the little counters against the walls, hastily scribbling into their little reservation slips. Some stood huddled, heads thrown back, staring at the monitors flashing pink, green, blue reservation information. And of course the masses of people who hung on stoically in the hardly moving queues. 

And the hands of the clock unhurriedly ticked on. And the heat increased. The sweat poured. The fans turned ineffectually. She closed her magazine and began fanning herself with it. I was sure she smelled of expensive perfume. Despite the heat and the sweat she looked cool and collected. A sleeveless white blouse over slim cut jeans emphasized her delicious contours. My eyes drank her in. It was like drinking the cool iced watermelon drink that I could not drink. 

The old man, pale lemon coloured shirt hanging loosely on his bony frame, shuffled forward a step clutching his reservation slip in his gnarled hand. His scrawny neck sticking forwards a little. His mouth still absently agape. His peering eyes fixed on the remote glassed ticket counter ahead. One hour crawled by. And then another. Inching forward, she had by now come to the mid point to the ticket counter. A broad grey granite pillar stood beside her and the old man now. The old man sagged against it. I could feel his weariness creeping in through my skin. 

I wondered, a little irritated, what he was doing in that long queue, in this heat. Didn’t he have anyone with him? Didn’t he know that there was a senior citizen’s counter? I craned my head to look, yes, it was almost empty. I wondered if I should go and tell him. Then decided to mind my business. Anyway he probably had somebody with him. Probably just standing in for a short while. 

I watched her instead. I saw her make a sudden face as she saw the ticketing clerk put a cardboard sign saying “Closed for Lunch” against the glass partition and walk away. It was crazy. Here were all these people, tired, standing for hours in the heat, just to get a ticket, and these guys were actually happily tripping off for a half hour lunch break! Couldn’t they have a rotation system so that the counters were manned 24 hours? At least in peak seasons like this? These guys really treat us people like dirt. 

And why do we take it? Why doesn’t everybody in this hall rise and revolt at this kind of lousy treatment being dished out by these guys who are supposed to be at our service? 

The old man blinked rapidly and turned towards her as if to say something. She moved her face away and opened her magazine again. The old man turned back again and looked a little nonplussed at the closed ticket counter. The half hour plodded by agonizingly slowly. Everyone hung on with stoic determination in their places. 

The clerks returned behind the counters, looking replete. They tapped on their keyboards and the lines began inching forward again. A quarrel broke out at a queue nearby. Somebody had jumped the line. He said all he wanted was to ask a question of the ticketing clerk. The men in the line would have none of it. Go to the enquiry counter he was told. But the man insisted it would only take a moment. Three or four men, eyes smouldering hate, stepped out threateningly. The man retreated back to his place. A lull ensued. The heat smothered. The lines inched on. 

She opened her bag and extracted a flimsy tissue paper and dabbed her neck and face with it. The old man was panting a little. There were only four or five people in front of him to the counter now. His eyes were fixed on the glass counter. A half hour dragged by. At last he was there. At the counter. 

He grabbed the granite lip of the counter as if hanging on for dear life and pushed his slip in through the semi-circle cut into the glass, tentatively. The clerk impatiently grabbed the slip and looked at it frowning. After a moment . . . “Nampally?” he said, “This train goes to Hyderabad . . Do you want to go to Hyderabad?” 

It was difficult to hear through the thick glass partition. The old man gave a desperate look at the clerk, turned a cupped ear to him and said in a cracked voice, “Eh . . . What?” 
The clerk gave him an irritated look and shouted, “Where do you want to go old man?” Looking confused, the old man gave a frightened little start and said in a quavering voice, “I want to go to Nampally . . I have written it there . .” Pointing a withered finger at the slip in the clerk’s hand. 

“ I know what you’ve written here old man, I can read,” the clerk said belligerently shaking the reservation slip at the old man’s face. “You’ve written Nampally,” he continued in a loud voice, “This train goes to Hyderabad . . Do you want to go to Hyderabad?” 
The old man looked perplexed. He began stuttering, mumbling in his confusion . . “I don’t . . know . .” he said in a thin small voice. 

“If YOU don’t know old man then I don’t know too,” saying which he shoved the reservation slip back towards the old man. The clerk reached his hand towards her for her slip, ignoring the old man who grasped his slip and looked helplessly once at it, then at the clerk. She passed her slip to the clerk. 

The clerk looked at it and still in a loud voice said, “Which date? You haven’t put in the date.” 
She replied in a quiet voice, “Any earliest available date.” 
“The earliest available date is one month from now,” said the clerk. 
She said yes that was ok. The clerk began punching the keys at the computer. The old man stood quietly beside her, his mouth open a little wider, his eyes staring at the clerk. 

She spoke to him. She asked, “Where do you want to go, uncle?” 
The old man gave a start and looked at her and, still confused, involuntarily said, “Eh . .” 

She repeated her question a little louder, “Where do you want to travel to?” 
“I want to go to Nampally. My son lives there,” replied the old man. 

A man from behind said, “Nampally is near Hyderabad. Tell him to change the name of the destination to Hyderabad. He must get off at Hyderabad, then take a bus to Nampally.” 

She said, “Uncle change the name to Hyderabad,” and when he looked at her questioningly, she explained why. The old man gave her an embarrassed little smile of comprehension. Pulling out a fountain pen from the pocket of his shirt he laboriously changed the name on the slip of paper. 

The clerk spoke to her in a softer tone, “That will be 735 rupees madam.” She opened her bag, taking out a wad of notes, started counting out the sum. The clerk quietly reached his palm out to the old man for his reservation slip. The old man gave it to him. She gave her money to the clerk, took her ticket, and walked out into the summer heat.

 My line was slower. It took me a little longer to reach my counter. The answer was the same. No tickets to be got at short notice – I walked out ticketless.